Showing posts with label Fear The Walking Dead. Show all posts
Showing posts with label Fear The Walking Dead. Show all posts

Saturday, 8 May 2021

Lately I've Been Watching....

The latest in my series of mini TV and film reviews, with trailers and 'where to watch'.  If you have trouble finding where any show/film is available in your country, this is a good site: Justwatch.  Just put the name of the show into the search, and choose your country further down, from the drop-down menu.  It shows where you can stream, buy or rent.

If you would like to see more posts, please click here: Lately I've Been Watching.  If you get as far as the bottom, 'Older Posts' will take you to more.


Film: The Courier 

(Amazon Prime)

5* plus ⭐⭐⭐⭐⭐⭐

True story, set during the Cold War, of English businessman Greville Wynne (Benedict Cumberbatch), who was recruited by MI6 as a courier to transport information from Soviet agent Oleg Penkovsky (Merab Ninidze). Also stars Rachel Brosnahan (Mrs Maisel - I feel the 1950s/early 60s is her spiritual home!) as Emily Donovan, one of his CIA handlers.

One of those quiet stories of recent history that has escaped wide publicity, but Wynne and Penkovsky were two heroes everyone should know about.  The Courier is solid, great drama of the old-fashioned kind; no gimmicks, no jazzing up the story, just the atmosphere of the time, excellent writing and acting, and masses of edge-of-the-seat suspense.  

At the end there is a short piece of footage of the real Greville Wynne.  Highly, highly recommended.



Film: Nobody 

(Amazon Prime)

4.5* ⭐⭐⭐⭐⭐

Produced by and stars Bob Odenkirk, a favourite of mine - at first you think that the 'Nobody' of the title refers to the fact that he seems like a rather depressed family man living a humdrum life and slightly emasculated by his wife, but the truth is slowly revealed.

It's very violent, with lots of fights, murders and explosions, so it ticked many boxes for me; it's got that darker-than-dark humour thing going on that's so popular these days, and it totally works.  




Film: Nomadland

(Hulu, Disney+; buy/rent on Amazon and many others)

4.5* ⭐⭐⭐⭐⭐

Multi-award winning, I believe.  Rather than describe the plot myself, here is the Wikipedia link: Nomadland.

Frances McDormand is always a 'must watch', and this film was heartbreaking and oddly beautiful, both at the same time.  Don't expect any great plot - it's just about the fictional Fern's life, in a situation based on a true story.




Documentary: Tina

(HBO Max, Apple)

4.5* ⭐⭐⭐⭐⭐

I've never been a particular fan of Tina Turner, but I love watching biographies like these, and find they make me appreciate the artiste more, even if what they do isn't my cup of tea.  This one made me understand what all the fuss is/was about, for sure.  

The documentary is divided into 5 parts - obviously there is much focus on the Ike years in the earlier parts, but it underlines how she became endlessly frustrated by journalists and talk show presenters constantly asking her about her relationship with him, even years and years later when she'd become a superstar in her own right.  In this, the section I liked most was the era of her incredible success, when she really came into her own.  One of those women who became more beautiful when she was over forty, which is always great to see, as was her relationship with her husband, Erwin.

She's 81 now, and has suffered ill health over the past 8 years (intestinal cancer and a kidney transplant), and, as would anyone at this age (she was 79 in the present day interviews in the documentary) and with such devastating health problems, she now seems like an old lady - but the fire is still there.  I was saddened to see how much plastic surgery she'd had, though.  I'm not sure I would have recognised her; that fabulous strong face has been lifted, filled and kind of flattened.   

Incidentally, I found most interesting what Ike Turner said about the music business in 1960s America vs England - that a black artist in the US would have to be played and become popular on the black music radio stations before the mainstream stations would even consider it, whereas in England a song would just be accepted for what it is - which is why River Deep, Mountain High was a success in England but not in America on its first outing.



Series: Snowfall - Season 4 

(Disney+, Sky, BBC iPlayer, Amazon, Apple)

5* ⭐⭐⭐⭐⭐

Been enjoying this so much from the beginning - and now crack entrepreneur Franklin's world becomes increasingly dangerous.  Damson Idris is terrific in the starring role; his persona zig-zags between the charming young man we first met, and the ruthless businessman he's becoming.  I imagine Season 5 will be quite different, as a fair amount of ends were tied up in this one.  If you've watched the other seasons, you won't be disappointed by this one; if you haven't, start now!

In a nutshell, it's a somewhat sanitised version of a true story about the CIA joining with drug cartels in the 1980s to sell enough crack to fund the Nicaraguan Contra rebels.  

(TWD Watch: Kevin Carroll - Virgil - as Franklin's father)


Series: Line of Duty - Season 6

(BBC iPlayer)

4.5* ⭐⭐⭐⭐

I was glued to this all the way through, and Kelly MacDonald was excellent... but, like many people (from what I've seen on Twitter), I thought the ending was SUCH an anticlimax.  Best summed up by @crazytownfanOne view is that it's a reflection on current society, especially in UK politics, that the people at the top are getting away with everything and there's no accountability. On the other hand, I wanted a satisfying ending to a tv show and that wasn't it.

Great story, zipped along, but the 'slow reveal' bit, when we (eventually) learned that Buckles was the person who couldn't spell definitely, was ludicrous - it was like those ghastly TV talent shows ('and the winner of X Factor 2034 is....') where they keep you guessing for ages by showing people walking into rooms in such a way that you don't see their faces.  Even more ludicrous was Kate Fleming deciding that Dot Cotton's dying finger spasms were attempted communication via morse code - as there were four of them and four dots is morse for 'H', she somehow divined that codename H meant there were four men at the head of the corruption conspiracy.  Arnott and Hastings bought this with no question, even though the concept was spoof-worthy.  I'm surprised no one in the writers' room said, 'Oh, come on, nobody's going to swallow that!'  

Most of all, though, I needed Carmichael to get her comeuppance.  Shame.  Chloe was a great addition to the main cast, and I liked Chris, too.

Anywayyyy - loved the rest of it, but - what @crazytownfan said.


Film: Kill The Messenger (2014) 

(Amazon Prime, Netflix)

4.5* ⭐⭐⭐⭐

The true story of Snowfall, about Gary Webb, the journalist who tried to expose this.  The 'Franklin' character appears only briefly (but played by Michael Kenneth Williams, so it's all good!).  Recommended for those who like to know a little about what really goes on in high places.

(TWD Watch: Robert Patrick (Mays), Steve Coulter (Reg Monroe), and a very young Matt Lintz (adult Henry)!)



Series: Fear The Walking Dead - Season 6, episodes 8 -11

(AMC+, Amazon)

5* ⭐⭐⭐⭐⭐

I've never obsessed over Fear TWD like I do original TWD, but Season 6 has been outstanding all the way through, even the episodes that focused on my less favourite characters.  Lennie James as our lovely Morgan is marvellous, as is Garret Dillahunt as John Dorie (no spoilers here!)

I notice how Morgan's path is mirroring Rick's; the constant wave that he rides about to-kill-or-not-to-kill, finding himself, losing it again, the new love with a new child.  The question of what to do with Virginia at the end of E9 had a few echoes of the Negan scenario at the end of TWD S8, too.  

As for the underground people, there's nothing like a new threat.  Those that are left, anyway.... 

Other thoughts:

  • Hoping that we get more Dwight in episodes to come, and that Sherry eventually finds her way back to him (or maybe the writers don't know quite what to do with him now he's a good guy again!). 
  • I know a few people have said about June becoming FTWD's Carol, but I thought of Michonne too.  Also made me think of Gabriel and Dante - f*ck reason and humanity, I'm doing what I need to do.  Either way, the hat seemed very symbolic!  (another echo...!) 
  • I wonder whether there is going to be a time jump, to get it up to the same time as TWD, at some point?  Because at the moment they must be about 5 years behind.  



Series: V - 2009 - Two seasons
(Now TV, Amazon Prime)

4.5* ⭐⭐⭐⭐

Remake of the original series from the early 80s, starring Morena Baccarin (Nick Brody's wife in Homeland) as the queen of the Visitors, beings from another planet who, out of the blue, arrive in their space ships in major cities across the world.  They offer clean energy and healthcare beyond anything we can imagine; immediately, the public accept them, with an almost religious fervour.

Soon it becomes apparent that a number of Visitors have been living on Earth for some time.  Amongst these, and on the ships, are of those who oppose their plans for world domination: The Fifth Column.  The other main characters: FBI agent Erica Evans, her son Tyler who becomes involved with the queen's daughter, a Visitor who has lived on earth for some time as a Fifth Column activist, a priest, and a criminal wanted by the FBI.

I found this thoroughly entertaining, though it got a bit more daft and outlandish towards the second half of the second season - I imagine this was because the original order for 13 episodes was cut to 10, so they had to get more story into less time.  Anyway, it was cancelled after 2 seasons, though the end of S2 does have a kind of conclusion - but I was most fed up that there was not more to watch!



Film: Mystery Road 

(Amazon Prime, Apple)

4.5* ⭐⭐⭐⭐

Set in the north-western Australian outback, Detective Jay Swan, from the city, arrives at a small town to investigate the murder of a young girl of the indigenous population.  Leads to discovery of all sorts of corrupt skulduggery taking place.  Aaron Pederson as Swan is the strong silent type, so much so that now and again I wished he would say something or give some indication of his feelings via the mode of facial expression.  

I loved the atmosphere of this film, and it's worth watching for the cinematography alone - absolutely stunning (and the reason for my extra .5 of a star).  It's quite slow in places, but this kind of adds to the realism and the feeling of being out there in that open, empty country.  Excellent gun battle at the end. 
 


Series: Mystery RoadSeasons 1 and 2
(stream: BBC iPlayer, Acorn TV.  Buy: Amazon, Apple, Google Play)

4.5* ⭐⭐⭐⭐⭐

The TV series version of the film.  Happy to see that, in Season 1, Aaron Pederson is a little more animated than in the film.  The town has a more cosy ambience, while Swan's daughter is less of a sulky, monosyllabic teenager with 'juvie' written all over her, and more of a wild-haired beauty who loves her dad.  The story is completely different; this time Swan has been called in to investigate the disappearance of a local football star.  

In Season 2, Swan returns to his former Man Of Stone persona, and when he does speak to anyone he's so rude I'm surprised he doesn't get thumped more often.  Okay, so he has the pain of a broken marriage, of not being able to communicate with his daughter, of being a black man in a white man's world, but now and again I think how refreshing it would be to see a TV detective who doesn't have a character flawed by familial troubles, alcohol, etc.  Can't they be brilliant mavericks without having a stormy past?

Meanwhile, the story in this second season is much better than either the film or S1.  He's in another town now, and comes up against corrupt cops, drug dealers, troubled teens, the aboriginal tribal leader, a professor on an archaeological dig, and much more.  Gripping, loved it - S2 is worthy of 5 stars.

Same knock-your-socks-off cinematography; I would say that, generally and artistically, the 2013 film is more sophisticated, but the TV series is more entertaining.



Film: Goldstone

(Amazon)

4.5* ⭐⭐⭐⭐⭐

The sequel to the original Mystery Road film, made in 2016, in which Detective Jay Swan travels to the remote mining town of Goldstone to investigate the disappearance of an Asian girl.  Murder, corruption, the traffficking of young girls, scary bikers, the reality of living hundreds of miles from anywhere, it's got it all.  David Wenham (Faramir in Lord of the Rings) stars as the owner of a mine who wants to expand his operation, and is offering financial incentive everywhere he can, in order to do this.  Jacki Weaver as the town mayor is a psycho very thinly disguised with smiles and red lipstick. 

Swan has gone down the pan in this one, and has a drink problem and a dead daughter, who rose from the dead to be in the TV series, but never mind.  It's really good. 



Comedy Series: No Activity 

(Amazon, Apple)

4.5* ⭐⭐⭐⭐⭐

Australian version.  

Two detectives sitting in a car talking.  Two police clerical workers sitting at a desk talking.  Two criminals sitting in a warehouse talking.  Doesn't sound that interesting... but it's great.  Very, very funny.  The writing and acting is first class - approximately 25 minute long episodes alternating between different pairs involved in whatever crime the current season is about.  The best sort of dry Aussie humour.


American version

3.5* ⭐⭐⭐

Not as funny, but still worth watching!



Film: Midsommar 

(Amazon, Google Play, Apple)

4.5* ⭐⭐⭐⭐⭐

An independent film that appeared on a recommended list... Dani, a student, is suffering severe shock after discovering the dead bodies of her parents and sister. Her boyfriend, Christian, is in a close-knit group of four friends, one of whom (Pelle) is Swedish.  Pelle invites his three friends and Dani to come home with him for a holiday, to the isolated community on which he lives in a remote part of rural Sweden.

The community is about to embark on an traditional several-day festival, and Pelle is eager to show his people's culture to his friends.  Almost immediately, Dani and the others feel that something is not right, as curious events follow shocking deaths - all is smiles, flowers and dancing on the surface, but, slowly, the terrifying reality of the festival, and the reasons why Pelle brought them all along, begin to reveal themselves.

Think updated Wicker Man - it's that kind of atmosphere.  Lots of gruesome scenes, though this is not overdone - it doesn't feel like it's there just to shock.  The spiralling sense of danger is proper edge of the seat stuff!



Series: Keeping Faith - Season 3

(Acorn, Amazon, BBC)


4* ⭐⭐⭐⭐

I think I liked this slightly more than the first two seasons; better story, though a little odd that Faith's best friend has, overnight, had an almost complete personality change, and the characters who were irritating before have remained so.  Only six episodes - just right.  Hated the ending, so sad - and something I very much wanted to happen, didn't!  Also stars Celia Imrie as Faith's mother.  If you liked the others, you'll enjoy this, too.

(I will just say that Faith's hair is FABULOUS in this one - I kept studying it and wondering if I could get mine to be similar with a bit of growing here and there, but as time went on I began to suspect hair extensions.)   



Film: Here are the Young Men 

(Apple, Chili, Rakuten, Microsoft, Fandango, Vudu)

3.5* ⭐⭐⭐

Set in Dublin.  Stars Finn Cole (Jay in Animal Kingdom) as Joe, Dean-Charles Chapman as Matthew and Ferdia Walsh-Peelo (King Alfred in Vikings) as Rez - three lads just leaving school and ready to have themselves a time. Also Anya Taylor-Joy (The Queen's Gambit) as Jen, the girl Matthew loves, and Travis Fimmel (Ragnar Lothbrok!!!) as a TV host.

Finn Cole was the one who stopped this being instantly forgettable; he was excellent as the bad boy whose inner psychopath rises to the fore after he sees a fatal road accident.  This a dark coming-of-age type of story, but too much of it made me feel like I'd seen it all before in other coming-of-age type stories; the main character, Chapman's Matthew, was rather one-dimensional and uninteresting.  Travis Fimmel was delightfully weird, but there wasn't enough of him!

It's good, but not as good as I thought it was going to be.  Worth a watch, but you may feel, as I did, that it doesn't live up to its potential.



Film: The Ballad of Billy McCrae 

(Google Play, Microsoft, Youtube online)

4* ⭐⭐⭐⭐

Made by Cymru films.  A Welshman who made it big in Canada comes back to his home town in industrial South Wales after his business partner allegedly did the dirty on him, forcing him into bankruptcy.  He starts work for Billy McCrae (David Hayman, never disappointing), who owns a local quarry.  Determined to climb back up, he makes friends with Billy, and starts a relationship with his daughter.

A good, solid, suspense-filled drama/thriller: 'a story of love, hate and murder'.  Worth watching!



Ratings:

  • 5* plus ⭐⭐⭐⭐⭐⭐ - outstanding
  • 5* ⭐⭐⭐⭐⭐ - highly recommended
  • 4.5* ⭐⭐⭐⭐⭐ - nearly 5* but not quite
  • 4.5* ⭐⭐⭐⭐ - better than 4* but misses that X factor
  • 4* ⭐⭐⭐⭐ - good, worth watching
  • 3.5* ⭐⭐⭐⭐ - parts of it good, but couldn't actually say I liked it
  • 3.5* ⭐⭐⭐ - parts of it good, some aspects bad
  • 3* ⭐⭐⭐ - not much cop but not terrible
  • Anything lower - I wouldn't recommend.


Wednesday, 24 July 2019

Thoughts on S5 #FearTheWalkingDead, #TWD S9 re-watch...and back at the prison.


I caught up with Fear The Walking Dead this week, as I like to save my favourites to watch in one splurge. I think it's the best season so far, though indeed the first two seasons felt like a different show; aside from the occasional mention of Madison and Nick, and the reappearance of Daniel, there is little to connect them to the more recents episodes of FTWD.
 


So great to see the appearance of Dwighty Boy, as he goes back to his pre-Negan self—another excellent actor and convincing character added to the cast.  The addition of Morgan was inspired, and I adore Garret Dillahunt as John, but, sad to say, I find that the rest of the cast just doesn't make me want to root for them in the same way that the TWD family does.  Maybe it's because the new look that came with S4 is still 'bedding in'; we haven't lived with these people for so long, whereas in TWD we've known Daryl, Carol, Maggie and Michonne for almost a decade now, and Tara, Rosita, Eugene, Aaron, Gabriel, Jesus and Enid for many years, too. 



...though I have to say that I was massively impressed by the episode with Al and Helicopter Girl.  So often in TV shows you feel that the writers are just remembering to tick the diversity box with a gay couple, but with these two you could really feel the chemistry between them, even before they acknowledged it themselves; even before you knew how they felt, for definite.  And you could feel their pain on parting, too.

I'm hoping Matt Frewer's character will develop in a sinister way - he'll make a great baddie.  Luciana is growing on me, but I think Charlie is still wooden and superfluous (compare that dreary two person episode with her and Alicia, with the brilliant TWD one about Morgan and Eastman, or Sasha and Rosita's last conversation....)


Great to see that the mysterious helicopter people are featuring in this, too; I'm crossing my fingers that this is how Michonne will make her exit from S10, too—surely they can't let her die!  Not our Michonne!

Talking of which, I went back to re-watch S9 of TWD after finishing the-FTWD-story-so-far, partly to see if it was just my imagination that it's a better show—and, for me, it is.  The dialogue, the storylines, just everything about it.  To sum up: for me, FTWD is good, I enjoy it, but TWD is still #1.


Watching S9 again, after not having watched it for several months, I was doubly convinced that's it's definitely one of the best seasons, to rival S6, 3 and 4.  I noticed so many little nuances that I hadn't seen before—e.g., at some point between Daryl looking for Rick's body with Michonne in Scars, and 6 years later, he lost one of the wings off the back of his waistcoat.  A lost wing for a lost brother....



Like Negan, I find the 'love quadrangle' amusing; I've always been a big Rosita fan and think she could do better than any of those three! (😢 still sad about Abraham...) And I found I wanted to lock Henry in a cell, permanently, even more than I did when I watched S9 5-16 first time round; aside from hating to see Carol so crushed, I couldn't feel sad at his demise.  Tara, Enid, totally hot DJ and all the others, gone because of his adolescent romantic ideals.  Yes, yes, I know Daryl and Connie went back for her too, but maybe they would have just lived with it, as Daryl had said, if not for Henry.  I felt sad about Tammy Rose, too; I loved her and Earl.  They were such authentic characters; I could see them on Hershel's farm.



After I'd seen all of S9 again, I began watching S3 again, starting with episode 07, When The Dead Come Knocking, when Michonne was first taken in at the prison (no, I didn't watch all this in one day, and yes, I did get almost painfully nostalgic!).  It was also the episode in which Daryl discovered Carol, when they all thought she was dead, and when she saw Judith for the first time, and learned that Lori was dead—😢😢😢.  



When Carol held Judith for the first time, I thought about the two of them meeting up again at the fair, in the brilliant The Calm Before; I wanted to take a snapshot of it and show it to Judith now!


There was also a lovely shot when Michonne was looking at them through the bars; if she had known that one day, that baby would call her Mum....



Watching S3, which was about a year into 'the fall', and comparing it with S9, I was so aware of how brilliantly the producers have aged the whole TWD world.  They're all so much dirtier (not just Daryl!), and look hardier, more like apocalypse survivors.  The Walkers are far more skeletal, of course—and the traces of pre-zombie life are fading away, so that there is little trace of them; the old towns look ghost-like, a shadow of a world that once was, rather than simply abandoned, as before.  The attention to detail is so clever; the ageing-up has happened so slowly. 


I was thinking, too, about why the show's ratings have gone down over the seasons.  I know a lot of people said they didn't like how the Negan war went on for so long, or that it was too gun fight-orientated, or that Glenn and Carl, in particular, shouldn't have been lost along the way, but I can't help thinking that much of the slide is just natural wastage.  TWD is every bit as good as it ever was, but no long-running TV show, or series of multiple books, or whatever, is able to maintain the same level of interest for everyone who loved the first few seasons (or books).  

Maybe it's also because, with any post apocalyptic series, the most exciting part is always the start—the shock, as the breakdown of society takes place, the slow, appalled acceptance, as characters realise that they have been thrust overnight into a lawless, dangerous world—and their own development, as some flounder, some become stronger...and some discover their dark sides.


The trick is to keep finding ways to keep the story fresh, unpredictable, and finding new challenges for the survivors, which TWD does magnificently.  I will be watching it with the same avid interest until it finishes (though of course I hope it never does!)—and then I will start at the beginning and watch it all over again.  Again 😉






Thursday, 4 October 2018

Thoughts on #FearTheWalkingDead... compared with #TWD! #TWDFamily


Anyone remember that show about a woman called Madison and her family and friends, surviving the zombie apocalypse in LA, Texas and Mexico?  Just wondered, because yesterday I finished Season 4, and felt like I'd been watching a different series from the one I started two months ago.



TWD obsessed though I am, I don't feel the same Fear The Walking Dead.  Then Morgan went off to join its cast, so it became a 'must'.  There were some great episodes earlier on, such as S2:8 Grotesque, in which Nick wandered off on his own towards Tijuana, and the episode in which Travis tried to stop Chris going off with those guys who killed him.  My problem with it was that I didn't really give much of a stuff about any of the characters apart from Nick and Madison.  I quite liked Strand and the stuff on the TEOTWAWKI ranch, but Alicia, Travis, Ofelia, Luciana and others left me fairly underwhelmed.


Then came Season 4.  Enter Morgan ~ and the show went from sunny to grey, with an almost completely altered cast.  I liked how the first half went back and forth in time to show how Alicia, Strand, etc had got to this point; it's a structure that's always effective, but it seemed a bit too neatly tied up.  Yesterday, though, I watched the final three episodes of S4, and came to this conclusion: it's the Happy Shopper version of the 'real' TWD.  It's just not so compelling.


Take, for instance, the two-character-only episode in the storm, featuring the so-cardboard-I'm-tempted-to-fast-forward-through-their-scenes Alicia and Charlie (also discussed on Teri Polen's blog).  Then compare it with the excellent TWD S6:4 He's Not Here, featuring Morgan and Eastman.  


....or the Rick/Carl ~ Daryl/Beth episodes of S4.  Or, of course, The Grove.  Triumphs of dialogue and characterisation, all. 




Afterwards, I went back and watched one of my favourites: TWD S5:9, What happened and what's going on, in which Tyreese dies, and I thought, this is just so much better.  Bottom line: I care what happens to these people, whereas even marvellous actors like Lennie James and Gareth Dillahunt have a job to make FTWD work.  


Don't get me wrong, I do like it enough to keep watching it, because, hey, it's TWD, but....several people poisoned with antifreeze for which the antidote is ethanol, and there just happens to be a tanker of it outside?  Then it's punctured with bullets and not one of them manages to stagger forward with a cup to collect some, despite having had the energy to despatch a whole load of walkers?  Carol would have sorted it out, no problem!  Or was this any more unlikely than Carol's saving the day at Terminus?  Maybe not, but that worked, while this just made me think, really?



I wondered if the whole 'escaping from the roof' thing was intended to mirror the fabulous TWD S1:2 Guts ~ but somehow, even though I'd only just 'met' Rick, T-Dog, Glenn, etc, when I first watched TWD, I cared more about what happened to them than I do about the FTWD grifter woman and her brother; I can't even recall their names.



I hope Morgan will save FTWD ~ if not, we will welcome him back to Alexandria, and he can bring John with him!

Talking of which..... yes, October 7th draws near!  I have watched the trailer but make a point of not reading spoiler articles; if you're an addict, you probably know more about what's going to happen than I do.  I still can't believe Rick's really leaving... I finished my TWD watching session yesterday with the last two episodes of S8, and got all damp-eyed about this, all over again.....










Sunday, 15 July 2018

Can't wait.... #TheWalkingDead Season 9 #TWD #TWDFamily


Just some pictures ~ and I've started watching Fear The Walking Dead now, too; I didn't like it first time round but am loving it now; thought I'd better start, now Morgan's in it. 😉 

Lots of horse and wagon action going on.... guess the petrol had to run out some time.  Glad to see Daryl's kept his share, though!






Friday, 10 June 2016

Recently I've been watching... VIKINGS! and more...

...my occasional posts with thoughts on TV series I've binge-watched via Netflix, etc

I've just seen the latest series of Vikings!  This is one programme that gets better and better and better... fabulous story and characters, brilliant actors, amayyy-zing scenery - I love it.
 
Lagertha with treacherous Rollo, and Ragnar, he of the curious facial expressions


 

The star for me has to be the wonderful Lagertha, a role model for all women, I reckon ~ I want to be her even more than I want to be Michonne from The Walking Dead.  Why Ragnar ever let her go in favour of the scheming, faithless giraffe (Princess Aslaug), I shall never understand, and it seems he wishes he hadn't, now.  Love the bits in England from a historical point of view, too.  Such a good and unexpected ending this time. Totally gripping, excellent plot, first class acting, has never disappointed me, got to be in my all time top ten TV series.

A giraffe
The scheming, faithless Princess Aslaug

*****Five big huge gold stars*****


Just made a great new fun discovery: UnREAL, about a reality TV show called Everlasting ~ one suitor, a flock of hopeful and impossibly glamorous women, and a very jaded crew.  Really opens the eye to what happens behind the scenes on reality TV shows; scarily so!  I watched the first series over a couple of nights, and the second one has just started.

****Four Stars*****

 

Now...Fear The Walking Dead. It just doesn't compare with the real Walking Dead at all, I don't think.  The plots aren't as gripping, and the only characters I like in it are Nick and Strand ~ the others are either irritating or just flat and boring.  I watched the seven episodes of series 2 last night and, although some bits were quite good, my main thoughts throughout were:
  • a) I wish either the zombies or someone with a gun would do away with Chris, Alicia, Ophelia and Travis
  • b) why doesn't Strand stick with his 'this is my boat' stance, and tell them to either act a bit appreciative or get the hell off it (with the exception of Nick)?
  • c) why does Kim Dickens always play the same character?
The sooner they give up on the west coast and get themselves over to Georgia, the better.  Rick and Daryl will soon sort the wheat from the chaff.

***Three stars***

 
It's never not a good time for a picture of Daryl Dixon


I sort of watched (by which I mean I sometimes read while it was on, and/or fell asleep) the first series of Between, a teenage thriller about a small town in which everyone over the age of 22 dies from a mysterious virus, and the town is then cordoned off... it's okay, just about, if you like teen dramas, but it doesn't have plot holes so much as plot chasms.  Just too daft, for me.  Most of the characters got on my nerves; the acting isn't that great.  Or it might just be because they're all teenagers, or thereabouts.  I prefer programmes about over 25s, generally; they tend not to think they know everything, and throw less tantrums.

 **Two stars**


People as ancient as me might remember Roots, when it was first out in possibly the late 1970s.  If you don't know about it, it's the allegedly true story of a family of slaves, taken from Africa to work in the cotton and tobacco fields of North Carolina.  I believe Alex Haley was revealed to have made the whole thing up, about twenty years ago, but it can be just watched as fiction based on historical truth, anyway.  The remake is four one and a half hour long episodes.  It's okay; episodes one and three were pretty good (and in three the acting was a lot better, mostly by the wonderful Jonathan Rhys Meyers), but two and three were unbelievably schmaltzy.  Could have been terrific, but cheesy beyond words.


***Three Stars***

Oh, go on, then, here's a picture of Jonathan Rhys Meyers...


A very James Bond style thriller....I only saw two episodes of The Catch, starring Mireille Enos, who I loved in The Killing.  In The Catch she plays Alice Vaughan, a top private investigator in LA.  I nearly turned off ten minutes into the first episode, which was a riot of split screens, loud background music and ludicrous action, but then it got better, with a terrific scam, and I thought it might be really good.  It's a little too silly, but I might watch some more.  Mireille has some fab frocks and hairdos in it, by the way.  The scam-artist-she-loves is revoltingly smarmy.  Can't see what she sees in him at all.  

**Two and a half Stars** 



My June 3rd TV reviews/recommendations HERE, and April 14 HERE